BTSF in chronological order (most recent articles appear first):

Wednesday, October 31, 2012

Halloween Costumes

This post originally appeared on October 31, 2011:


There are plenty of articles about racially inappropriate costumes, yet every year ignorant folk insist on perpetuating appropriationcaricature, and humiliation as Halloween sport. It is an annual affliction, so I guess it's worth making the point yet again...

Using a culture, race, or ethnicity as a costume is not appropriate. Ever. 

On Halloween, we get the opportunity to disguise ourselves as something 'other,'something different from normal, something bizarre. That people of color might be one of these costume options is tragic and offensive.

Halloween outfits basically come in three flavors: scary, funny, or fantasy. Real cultures shouldn't fit into any of these categories. By using people's identities as costumes, we imply that they are 'not one of us,' or not even  fully human, belonging instead to the realm of ghouls and goblins.

In the U.S., we spend the entire year marginalizing POCs, maintaining low visibility on TV, in movies, and in the media, but then suddenly become hyper-interested in 'appreciating culture' for one offensive night (as though dressing as a Hollywood version of what you think a culture is has anything to do with appreciating it).

When we claim that it's all 'good harmless fun,' we reveal our privilege never to have to face the consequences of such stereotypes in our own lives. We reveal the power we hold to dictate who defines 'harmless' and 'fun.' We reveal how loudly our own voices are heard, even as we silence others. We reveal our capacity to imagine fantasy worlds for real cultures, while ignoring the historical baggage that makes us feel uncomfortable.

 Students Teaching About Racism in Society (STARS) at Ohio University began a poster campaign to educate folks about the hurtful nature of racist costumes with the slogan "we're a culture, not a costume." All of the costumes they depict are real, and are perennially reprised  They get big props for concisely and clearly communicating what many of us have been frustrated with for years.

Also, check out this great video in which Franchesca Ramsey eloquently and hilarisiously explains the issues with these types of costumes:

Monday, October 29, 2012

Am I Appreciating or Appropriating? (Part 1)

Maxine Naawu joins us once again to share her thoughts on the difference between 'appreciation' and appropriation. Among many other things, she blogs about art, film and photography at Side Hustle Stories and hosts her own artistic work at her website.


Every fall, it’s easy to find examples of culturally insensitive Halloween costumes. They may be intended “just for fun,” but in practice, end up stereotyping, mocking, and or disrespecting of other cultures. There have been several posts on this blog and others describing why such images are especially harmful for those not in the majority because of the limited images of us in general in society. However, it doesn't have to be Halloween for someone to be culturally insensitive in their use of elements of another culture. Consider the following examples:

A white, non-muslim woman wore a head covering for a day in order to help understand the struggles of veiled Muslim women. She wrote a heartfelt post detailing how she finally understood the discrimination Muslim women go through. Her post received a mixed response (some positive, some negative) from many Muslim women bloggers and allies.

Also recently, a blog by a white woman chronicling her adventures while wearing a costume afro wig got a lot of negative attention from the black blogosphere and natural-haired black women. The author gushed about how the fro “changed her life” and helped her channel a sense of openness and “fun” in her everyday life. This was also derided as an insensitive act of appropriation.

While these women may have thought they were appreciating different cultures, they ended up actually hurting others. The women in these cases both have something in common -- they claimed they were trying to appreciate the experiences they were borrowing from, and trying to understand it in a better way.

“But,” one might say, “
 isn't getting a better appreciation for other races and cultures struggles the entire point of blogs like this? Why should someone’s effort to do so be attacked?”

I understand that the outrage in response to these efforts to reach out might dissuade others from reaching outside their own racial and cultural comfort zones. However, it’s worth examining why these efforts ended up hurting the people who were supposed to be “appreciated.” 

Here are some ways you can avoid making the mistakes they made: 

1. Credit the Source       
Arguably, the most offensive form of appropriation is when a person uses an aspect of someone else’s culture without acknowledgement of the source, especially when that person is profiting off of that stolen aspect of culture.

One example I often see is the appropriation of the Hindu religious festival Holi’s tradition of splashing colorful powder and paint on people as a celebration of springtime. This celebration often results in beautiful photography, but I often see artists using similar techniques with zero credit to its origins. It would be like, for Christians, as if wearing a pretend crown of thorns and fake stigmata became a fashion trend, and the people selling this crown didn't acknowledge its source or significance.

In this case, “appropriation” could just as easily be called “stealing” if the artist is trying to act as if the cultural technique being used is something new and original, rather than something done by others hundreds of years earlier. This form of “appreciating” is actually offensive because it turns what was significant to many into just another thing to be consumed by the majority, and renders those originally attached to that piece of culture invisible. 

Crediting the source doesn’t automatically make borrowing from another culture ok, and in some cases it isn’t possible. That’s why it’s important to follow the next step: 

2. Educate yourself first

If you’re using another culture in your art, wardrobe, worship celebration, etc, it’s important to not only credit that culture, but to do research on whether you are using it appropriately (or should be using it at all). 

One great example is the use of Native American headdresses in art, specifically on women. These headdresses are traditionally worn by men for specific religious, historical, and cultural reasons, and their use by those who haven’t earned the privilege is considered offensive, and culturally they are never/rarely worn on women. Yet it’s often done. Even when crediting the source (and without educating yourself, how would you even know how to properly credit? “Native American” is far too general) use of this headdress for artistic purposes would be offensive. 

Some self-education by Michelle, the white woman wearing an afro wig to bring some “fun” into her life, would have taught her about the long standing issues with black women and natural hair, the struggles of going up against western beauty standards, and the fact that many black women are pressured away from wearing their hair in their natural “afro” state in order to keep employment. She was enjoying the “fun” of having natural hair without knowing a single thing about the struggle behind it, which is at the very least, insensitive. In this particular case, hundreds responded to her blog and explained to her why her actions were offensive, but she doesn’t quite get it yet

Educating yourself also keeps you from perpetuating stereotypes about the culture you’re borrowing from. Michelle made jokes about going to a fried chicken festival, and changed her personality to match what she thought being a black person was like. Many Halloween costumes people wear to ‘embrace’ another culture are, in reality, simply offensive stereotypes. The fact that minority cultures in the U.S. are much more harmed by these stereotypes is just one of many reasons to remember the next step... 


Continue to step three, and practical advice on appreciating without appropriating...

Friday, October 26, 2012

Friday Fruit (10/26/12)




On Fridays, BTSF offers links to other discussions about race & Christianity. It's an opportunity for you to read about racial justice & Christianity from other folks, and for me to give props to the shoulders on which I stand...



Weekly Round Up:

These are some of BTSF's links of interest this week. What are yours?

Feel free to contribute your own links in the comments section, or submit items you feel should be included during the week. Self-promotion is encouraged. 

Sunday, October 21, 2012

The Trouble with Voter ID Laws (Part 3)

This is the final installment of our examination of the racial implication of voter ID laws. The following originally appeared as a guest post from BTSF on Urban Faith on 9/13/2012:


A Troubled History at the Polls
Discrimination and intimidation at the polls is nothing new. Our country’s voting history is fraught with poll taxes, literacy requirements, racial gerrymandering, and voter intimidation (all of which were legal in our lifetime — or at least our parents’). Indeed, as I describe, many of these injustices are still practiced in one form or another today.

Both modern and historic laws use carefully coded language to allow for legal discrimination, without ever explicitly mentioning race. When poll taxes were legally in use, they often came with a grandfather clause that allowed citizens whose ancestors had voted in the years before the civil war (you know … before the abolition of slavery) to forgo the tax.

The implications for such a legacy are profound. Years of disenfranchisement leads to a foundation of legal precedent and accumulated power that perpetuate disparity and injustice. It’s no coincidence that that the Senate is still 96 percent white. As Christians, we know God says to “choose some wise, understanding and respected men from each of your tribes, and I will set them over you” (Deuteronomy 1:13), but some groups are still embarrassingly absent from our leadership.

What effects might this disparity have on controversial or racially veiled legislation moving forward? Even assuming no intentional prejudice, surely we can’t presume that homogeneous legislatures have full understanding of the needs of their constituents of color.

The Truth About Voter Fraud
As Christian voters we have an obligation to “discern for ourselves what is right; let us learn together what is good” (Job 34:4). It’s true that there are cases in which voter fraud has been a problem, but these cases most often occur in the context of absentee voting, a scenario that is not at all helped by the requirement of a photo ID at the polls.

While some of the new legislation has been struck down, others remain up for debate and it’s important to inform ourselves about the effects of the legislation. If you haven’t registered for this year’s election, do so. And educate yourself about the ID requirements in your state. 

If you’re already registered and ready to go, help some who aren't in that same position. On Election Day, join with other believers to unite around the communion table as a way of practicing our common bond in Christ amid our theological, political, and denominational differences. And on that day, consider giving of your time to make sure every citizen can cast a vote safely and legally.


What do you think of voter ID laws? Share your view in the comments section below.

Friday, October 19, 2012

Friday Fruit (10/19/12)


On Fridays, BTSF offers links to other discussions about race & Christianity. It's an opportunity for you to read about racial justice & Christianity from other folks, and for me to give props to the shoulders on which I stand...


Weekly Round Up:

These are some of BTSF's links of interest this week. What are yours?

Feel free to contribute your own links in the comments section, or submit items you feel should be included during the week. Self-promotion is encouraged. 
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By Their Strange Fruit by Katelin H is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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